January – 2015
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Who Are These Guys And Why Do We Have To Pay Them?
The Eviction Educator
Volume 16 â€¢ Issue 1 Jan 2015 Landlord News 3600 South Yosemite Street Suite 828, Denver, Colorado 80237 firstname.lastname@example.org www.thslawfirm.com Denver Phone 303.766.8004 FAX Completed Eviction Forms To: 303.766.1181 or 303.766.1819 Colorado Springs Phone 719.550.8004 FAX Completed Eviction Forms To: 719.227.1181 WHO ARE THESE GUYS AND WHY DO WE HAVE TO PAY THEM? Almost all communities are playing music for resident listening, and/or TVs for resident viewing. However, most communities arenâ€™t aware that if music, or TVs are being played for residents, a license may be required, and if a license is required and the community doesnâ€™t have one it is in violation of copyright law. Many communities are discovering that copyright licenses are required, because more communities are being notified by performance right organizations (PROs) that the communityâ€™s current music and TV practices are in violation of copyright law. Specifically, performance rights organizations are notifying apartment communities that they are infringing on copyrights, and demanding that the communities start paying licensing fees. Does your community need a license to play music or TVs? The short answer is probably yes. However, evaluation of licensing requirements can be complicated. Copyright licensing issues are further complicated by the fact that licensing rules are different for music and TV. Licensing requirements depend on the facts and circumstance of each case, what is being played, where it is being played, and how it is being played. A multifamily community can be involved with copyrighted material requiring a license in variety of ways. Music from a host of sources may be being played at the community. Locations where music is played may include the leasing office, models, lounges, pools, fitness centers, business centers, game rooms, theatre rooms, and clubhouses. The community may be playing TVs in the fitness center and elsewhere. The community may be using continued on page 2 We recommend that all of our clients resolve to make education for their management and property staffs one of their primary resolutions for 2015. THS knows that knowledge is power in the Eviction world and that knowledge is also time and money. There is no substitute for clear thinking or sound advice. Our Firmâ€™s commitment to preventive law is without precedent in the world of Landlord legal representation because we know and understand that better educated clients are less likely to get into legal trouble. And, if they do run into a problem, we can more successfully defend them knowing that they were well educated and in compliance with the law. Drafting rent notices is straightforward. Compliance notices can be a little tricky. Knowing what notices to provide, when they can be delivered to the residents and when they are in violation of the lease can save you both time and money. Understanding what needs to be included when preparing the notices will make your case easier to prove when you get to court. That is why our educational programs and resources are geared to help you increase your knowledge in the areas of law that affect you and your business. Our, FREE to clients, workshops are designed to educate and assist owners, managers, and staffs on todayâ€™s complex Landlord-Tenant and Fair Housing Laws so clients can learn exactly what they need to know and how to do it. The cornerstone and success of our training programs is our commitment to continually improve and update both our teaching materials and our presentations to maximize the benefit to those who attend the classes. We do this by staying on top of all of the changes, case law and nuances that are always evolving in the area of multifamily housing law. Our educational programs and continued on page 2 WHO ARE THESE GUYS AND WHY DO WE HAVE TO PAY THEM? continued from page 1 social media and posting music videos or music to the Internet. If you are playing music anywhere in public at your community, or have any TVs in public at your community, you may be required to pay copyright licensing fees to avoid infringing the artistsâ€™ copyright. Copyright infringement is the unauthorized use of anotherâ€™s creative work. If you play music without a license, when one is required, it is copyright infringement. Lack of knowledge of license requirements or intent is irrelevant. You canâ€™t defend copyright infringement based on ignorance or lack of intent. You should not ignore this issue and hope that it goes away because the penalties for copyright infringement are severe. Statutory damages range from $700 up to $30,000 per song performed without a license. Willful infringement, could subject you to damages of up to $150,000 for each song performed without a license. If music or television broadcasts are copyright protected, licenses are almost always required if publicly performed. Public performance is not limited to a live performance by the artist. If a song is played in public, then it is publicly performed. Under copyright law, publicly performed is much narrower than you would think. A public performance occurs where people gather. It doesnâ€™t have to be a large gathering. If a gathering is more than a small circle of family or social acquaintances, then it is a public gathering. Similarly, any space that is open to more than a small circle of family or social acquaintances is a public space. For example, even though your fitness center is not open to the general public, your fitness room is a public space under copyright law, and any music played there would be considered to be publicly performed. Public performances also include any transmissions to the public, for example, radio or TV broadcasts, as well as content delivered over the Internet. Copyright owners have the exclusive right to publicly perform copyrighted music, and the legal right to compensation when anyone else publicly performs copyrighted material. continued on page 3 EVICTION EDUCATOR – TIPS continued from page 1 resources are geared to help you increase your knowledge in the areas of law that affect you and your business. We encourage you to visit the education section on our website at https://0820.thslawfirm.com/educationfor a complete description of all of the workshops. You can register for a workshop by visiting — https://0820.thslawfirm.com/events/Workshops/. It is important to remember that space is limited so it is advisable to register as soon as possible and not wait to the last minute. Please note that our website thslawfirm.com also provides important information on the firm, attorneys, staff, services, legal documents, forms and letters, resource and educational material as well as serving as a venue for urgent industry alerts. Our Forms and Letters are available for clients to download or fill out on-line and submit for attorney review prior to execution. After review they are re-sent to the originator of the form or letter. Our online Resource Library is continually being added to and updated. Many of the Firmâ€™s articles have been reprinted in local and national industry publications. Landlord News Jan 2015 Page 2 IMPORTANT THS JANUARY DATES January 15th Basic Fair Housing THS Lower Conference Center 3600 S. Yosemite Street Denver, CO 8:30 a.m. – 11:30 a.m. January 16th North Client Lunch Dave & Busters Westminster 11:30 a.m. – 1:00 p.m. January 19th ALL COURTS CLOSED MARTIN LUTHER KING FEDERAL HOLIDAY JANUARY IS NATIONAL Oatmeal Month & Soup Month also National Bath Safety Month So be Careful if you Eat Breakfast or Lunch in the Bath! WHO ARE THESE GUYS AND WHY DO WE HAVE TO PAY THEM? continued from page 2 PROs grant and administer licenses on behalf of copyright owners. Artists and copyright holders join PROs so that the PRO can enforce their copyrights. The three major PROs, that enforce copyrights in the United States, are ASCAP, BMI, and SESAC. ASCAP is the American Society of Composers, Author & Publishers; BMI is Broadcast Music, Inc.; and SESAC is the Society of European State Authors & Composers. Under the law, PROs must offer licenses to anyone, and the PROs must charge all license seekers the same rates for the same or similar uses. Information, regarding PRO licensing rates, is available from individual PROs. One way PROs are executing their mission to enforce copyrights is by contacting businesses and demanding that they pay required licensing fees. PROs have been targeting the multifamily industry. Depending on what youâ€™re playing, you may need multiple licenses, e.g. a music license with all three PROs. A music license with one PRO allows you to perform only copyrighted music represented by that PRO. Each songwriter or composer may belong to only one performing right organization at any given time, so each PRO licenses a unique repertoire of music. Thus, a BMI license doesnâ€™t cover songs in SESACâ€™s catalog. Wait a minute we only play music from satellite, TV, cable, or radio stations at our community. Arenâ€™t they already paying the PROs licensing fees, so we donâ€™t need another license? Various content providers may already be licensed with PROs. However, broadcast licenses donâ€™t authorize the performance of such TV, cable, and radio to the public by businesses and other organizations. Generally, businesses must secure public performance rights for TVs or radios under certain circumstances. With respect to TVs, licenses must be secured if the business is playing more than four TVs; has more than one TV in any one room; if any of the TVs has a diagonal screen size greater than 55 inches; if any audio portion of the audiovisual performance is communicated by means of more than six loudspeakers, or four loudspeakers in any one room, or there are any speakers in an adjoining outdoor space. With respect to radio, licenses must be secured if the business is playing more than six loudspeakers; more than four loudspeakers in any one room or adjoining outdoor space; or playing music on hold. To evaluate licensing requirements, you must answer where, what, and how music or other copyrighted material is being played at your community. If music is not being publicly performed (played in public) at your community, then you donâ€™t need a license. Keep in mind that the concept of public performance is broad. If the content of your music is not subject to copyright protection, then you donâ€™t need a license. While there is a fairly extensive catalog of music that is not copyright protected, the reality is that any music your residents would want to hear is likely to be subject to copyright protection. In other words, your residents probably donâ€™t want to hear 1928 elevator music. However, your music list or TV content may be limited to a particular PROâ€™s catalog. Thus, if youâ€™re only playing BMI music, you donâ€™t need to pay SESAC licensing fees as well. As discussed previously, the size of TVs, the number of TVs, and the number of speakers (both for TV and radio) can also factor into the analysis of licensing fees and rights. Licensing options and pricing varies widely depending on content and delivery. Music and TV licenses from the major PROs will run $200 per year and up, per community per PRO. Some alternatives to the PROs exist. Under the alternatives, the licensing passes through so that you can play them without requiring an additional license from a PRO. Such services include SiriusXM Business or Pandora Business, which run from $25 to $30 per month. Other alternatives include MoodMedia (previously Muzak) at about $200 per year (MoodMedia touts itself as the world leader in background music). Royalty free music collections are offered by stockmusic.com and streamlicensing.com ($130 to $200 per year). While these services offer an alternative to the PROs, they may be subject to limitations on content and delivery, and do not cover TV. If youâ€™re going to go with an alternative to a PRO, you should carefully read the fine print for limitations. Landlord News Jan 2015 Page 3 PIGS CAN FLY ? OR MAYBE NOT Companion animals are providing challenges to more than the multi-family housing industry as demonstrated by the following tale of the â€œflying pigâ€. A pet pig trying to board a U.S. Airways plane in Connecticut found out that not all pigs can fly. The porky passenger was grounded at Bradley International Airport for turning the cabin into a pig pen and disrupting other passengers. The 70-pound pot-bellied pig was brought on to the flight as an emotional support animal for a woman who was flying to Washington. A passenger told the a TV reporter in Springfield, Mass., that the flight crew booted the woman and the pig from the plane before it left because the animal was squealing and had defecated in the aisle. Another passenger snapped a photo of the woman carrying the pig over her shoulder as she left the plane. And, yet another passenger told a reporter he thought the woman was carrying a duffel bag when he saw her board the plane. â€œBut it turns out it wasnâ€™t a duffel bag. We could smell it and it was a pig on a leash,â€ he said. And then the woman sat the pig next to me. â€œI was terrified, because I was thinking Iâ€™m gonna be on the plane with the pig,â€ for this whole flight. Emotional support animals are allowed on commercial flights under federal rules as long as they are not disruptive. But this piggy had his wings clipped before the plane left the ground. WISE SAYINGS FROM A DIFFERENT PROSPECTIVE If you can keep your head while those about you are losing theirs, you probably havenâ€™t assessed the situation accurately. A rolling stone gathers momentum and can mash your toes, if you are not careful. A penny saved is a penny earned, depending upon Federal Reserve policy and your investment advisor. The early bird gets the worm. Iâ€™d rather have a waffle. You do not need a parachute to skydive. You only need a parachute to skydive twice. A clear conscience is often a sign of a bad memory. Light travels faster than sound. That is why some people appear bright until you hear them speak. I used to be indecisive, now Iâ€™m not so sure. I did not say it was your fault; only that I was blaming you. Right is might, unless the other person is bigger, faster and meaner. Change is inevitable except from a vending machine. May humor lighten our collective loads in this NewYear Landlord News Jan 2015 Page 4